NUA on its Sustainable Fashion Week role: ‘Sustainability is not an add-on to creative practice’

The university's role as a regional hub for Sustainable Fashion Week emphasises education and practical application of sustainable practices.
Fashion |Interview
Norwich University of the Arts building. Credits: NUA.
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Sustainable Fashion Week returned to the UK this week, continuing its mission of bringing eco-values beyond the traditional fashion industry and into local hubs across the country. At Norwich University of the Arts (NUA), for example, education is being positioned as a means to both discuss fashion’s sustainability challenges and also a space where alternative systems, skills and behaviours can be tested.

This edition marks the second consecutive year in which NUA is serving as the Norwich Hub for Sustainable Fashion Week, with its programme running from September 26 to October 4. Under this year’s national theme, Threads of Resistance, the university is bringing students, staff, alumni, industry partners and the wider community together through workshops, exhibitions, talks, repair activities and community projects.

For Nina Dobson, lecturer in fashion, co-chair of NUA’s Sustainability Working Group, and this year’s Norwich lead, the university’s involvement reflects a wider responsibility to prepare students for an industry undergoing significant change.

“As a specialist arts university, we have a responsibility not only to develop students’ creative skills but also to encourage them to think critically about the environmental, social and cultural impact of the fashion industry,” Dobson told FashionUnited. “Leading the Norwich Hub allows us to connect that educational mission with real-world action, bringing together students, industry, cultural partners and the wider community to explore how creativity can contribute to a more sustainable future.”

The decision to become a regional hub further reflects the role of universities as conveners within local fashion ecosystems, bringing conversations on sustainability beyond the classroom. NUA’s programme extends across Norwich through partnerships with organisations including Norwich Castle Museum, John Lewis Norwich, New-U and NANSA, thus creating a model in which many facets can contribute to the same sustainability agenda.

For a university, the value behind this lies not only in exposing students to the national conversation, but in giving them opportunities to apply their skills in public and commercial-facing environments.

From education to participation

The Norwich programme has been designed to make sustainability participatory and accessible. Events include natural dyeing, visible mending, upcycling, weaving, clothes swapping and repair, alongside exhibitions of student work and talks from alumni and industry figures. “From talks, exhibitions and workshops to repair, upcycling and community-focused activities, we’re creating opportunities for people to learn new skills, exchange ideas and take part in conversations around fashion and sustainability,” Dobson said.

Beyond the university, student work is also being displayed at John Lewis Norwich, while workshops with New-U introduce repair, upcycling and reuse to the wider public. Norwich Castle Museum, meanwhile, is hosting sessions exploring textile history, while the university is also hosting a keynote lecture from Carry Somers, co-founder of Fashion Revolution. This wider engagement is imperative to NUA, as the need for consumers and communities to understand available alternatives rises.

The theme of this year’s Sustainable Fashion Week, which describes itself as community-led, is Threads of Resistance, encouraging participants to resist overconsumption and embrace repairing, repurposing and rewearing clothing. The university has the opportunity to connect its educational foundations with practical changes in behaviour.

A visible mending workshop, for example, provides participants with skills they can take home and use. The same applies to the clothes swap and New-U’s pre-loved activities, which demonstrate alternative models to buying new. Meanwhile, natural dyeing and upcycling workshops connect material experimentation with the broader question of how fashion products can be created and used differently.

“The broader mission of Sustainable Fashion Week is to challenge the systems and habits that have shaped fashion for decades, while empowering people to imagine and create alternatives,” Dobson said. “This year’s theme, Threads of Resistance, encourages exactly that kind of critical thinking and creative action.”

Preparing the next generation

For NUA, however, the educational component remains at the core. The university’s BA Fashion and BA Textile Design courses are contributing student work, research and collaborative projects to the programme, giving students a public platform for exploring sustainable approaches to design.

That is increasingly relevant as sustainability shifts from being a specialist area within fashion education towards becoming a core consideration across design, manufacturing, retail and communications. “Educational institutions play a vital role in this mission because they provide a space where ideas can be tested, questioned and developed,” Dobson added.

She continued: “By involving students in Sustainable Fashion Week, we’re helping future designers, communicators and industry leaders understand that sustainability is not an add-on to creative practice, but an essential part of shaping a fashion industry that is more responsible, inclusive and resilient.”

An associated alumni programme then highlights an employability focus, with sessions of freelancing, creative careers and adapting skills sitting alongside sustainability-focused activity, emphasising that in order to ensure a broader transition towards a more responsible industry, there is a need for practitioners capable of navigating new commercial models.

Connecting Norwich to the wider industry

The decision to host a Sustainable Fashion Week reflects Norwich’s own textile and creative heritage. Dobson noted: “Norwich has a rich history of textiles, making it the ideal location for a Sustainable Fashion Week hub. By bringing together education, industry and community, we’re creating a platform for ideas, action and collaboration that can help shape a more sustainable future for fashion.”

By hosting a city-wide programme, the organisation is allowing that heritage to be perceived through a contemporary lens, positioning sustainable fashion among retail, museums, community organisations, creative careers and university research. The model also gives emerging talent an understanding of where their creative work can sit within the wider fashion ecosystem.

Why it matters for fashion

The involvement of institutions such as NUA suggests a broader shift in how the industry’ sustainability challenge is being approached. While education may not be able to solely solve fashion’s environmental and social problems, it can influence the people and ideas that shape the industry’s future. It can also serve as a bridge between sectors that may not always interact, giving young talent and creative experimentation access to retailers, cultural organisations and community groups.

For Sustainable Fashion Week, Norwich Hub is therefore more than just a regional programme of events. It also provides a platform for connecting national sustainability discussions with local expertise and participation. “The broader mission of Sustainable Fashion Week is to challenge the systems and habits that have shaped fashion for decades, while empowering people to imagine and create alternatives,” Dobson said.

NUA’s emphasis is not only on teaching students how to make fashion more sustainable. It also looks towards the creation of an environment in which students and the wider public can collectively question how the industry currently operates. The university exists as a practical example of how educational institutions can contribute to that process and progress, putting sustainability into practice and using creative education as a means of testing what an alternate fashion system could look like.

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